Several paintings by Van Gogh rank among the most expensive paintings in the world. On March 30, 1987 Van Gogh's painting Irises was sold for a record $53.9 million at Sotheby's, New York. On May 15, 1990 his Portrait of Doctor Gachet was sold for $82.5 million at Christie's, thus establishing a new price record (see also List of most expensive paintings).
Vincent was born in Zundert, Netherlands. Son of Anna Cornelia Carbentus and Theodorus van Gogh, a Protestant minister, a profession that Vincent found appealing and to which he would be drawn to a certain extent later in his life. His sister described him as a serious and introspective child.
At age 16 Vincent started to work for the art dealer Goupil & Co. in The Hague. His brother Theo, four years his junior and with whom Vincent cherished a lifelong friendship, would join the company later. This friendship is amply documented in the vast amount of letters they sent each other. These letters have been preserved and were published in 1914. They provide a lot of insight into the life of the painter, and show him to be a talented writer with a keen mind. Theo would support Vincent financially throughout his life.
In 1873, his firm transferred him to London, then to Paris. He became increasingly interested in religion; in 1876 Goupil dismissed him for lack of motivation. He became a teaching assistant in Ramsgate near London, then returned to Amsterdam to study theology in 1877.
After dropping out in 1878, he became a lay minister in Belgium in a poor mining region known as the Borinage. He even preached down in the mines and was extremely concerned with the lot of the workers. He was dismissed after 6 months and continued without pay. During this period he started to produce charcoal sketches.
In 1880, Vincent followed the suggestion of his brother Theo and took up painting in earnest. For a brief period Vincent took painting lessons from Anton Mauve at The Hague. Although Vincent and Anton soon split over a divergence of artistic views, influences of the Hague School of painting would remain in Vincent's work, notably in the way he played with light and in the looseness of his brush strokes. However his usage of colours, favouring dark tones, set him apart from his teacher.
In 1881 he declared his love to his widowed cousin Kee Vos, who rejected him. Later he would move in with the prostitute Sien Hoornik and her children and considered marrying her; his father was strictly against this relationship and even his brother Theo advised against it. They later separated.
Impressed and influenced by Jean-François Millet, van Gogh focused on painting peasants and rural scenes. He moved to the Dutch province Drenthe, later to Nuenen, North Brabant, also in The Netherlands. Here he painted in 1885 The Potato Eaters (Dutch Aardappeleters, now in The Van Gogh Museum in Amsterdam).
In the winter of 1885-1886 Van Gogh attended the art academy of Antwerp, Belgium. This proved a disappointment as he was dismissed after a few months by Professor Eugène Siberdt. Van Gogh did however get in touch with Japanese art during this period, which he started to collect eagerly. He admired its bright colours, use of canvas space and the role lines played in the picture. These impressions would influence him strongly. Van Gogh made some paintings in Japanese style. Also some of the portraits he painted are set against a background which shows Japanese art.
In spring 1886 Van Gogh went to Paris, where he moved in with his brother Theo; they shared a house on Montmartre. Here he met the painters Edgar Degas, Camille Pissarro, Emile Bernard, Henri de Toulouse-Lautrec and Paul Gauguin. He discovered impressionism and liked its use of light and colour, more than its lack of social engagement (as he saw it). Especially the technique known as pointillism (where many small dots are applied to the canvas that blend into rich colours only in the eye of the beholder, seeing it from a distance) made its mark on Van Goghs own style. It should be noted that Van Gogh is regarded as a post-impressionist, rather than an impressionist. Van Gogh also used complementary colours, especially blue and orange, in close proximity in order to enhance the brilliance of each. |
