He also remained aloof from the Catalan independence movement during his youth despite expressing general support and being friendly with activists within it. No political movement seemed to compel his support to any great degree. After the Second World War, Picasso joined the French Communist party, and even attended an international peace conference in Poland. But party criticism of a portrait of Stalin as insufficiently realistic cooled Picasso's interest in Communist politics.

Personal life

Picasso had a long string of lovers, four children by three women, and two wives. In the early years of the 20th century, Picasso, still a struggling youth, began a long term relationship with Fernande Olivier. It is she who appears in many of the Blue and Rose period paintings. After garnering fame and some fortune, Picasso left Fernande for Marcelle Humbert, whom Picasso called Eva. When it became clear that Eva was dying, Picasso left her as well. Picasso frequented brothels throughout his life, and also had numerous affairs.

In 1918 Picasso married Olga Koklova, a ballerina with Sergei Diaghilev's troupe. Olga introduced Picasso to high society, formal dinner parties, and all the social niceties attendant on the life of the rich in 1920s Paris. The two had a son, Paulo, who would grow up to be a sometime motorcycle racer, sometime chauffeur to his father, and dissolute.

Olga's insistence on social propriety clashed with Picasso's bohemian tendencies, and the two lived in a state of near constant conflict. In 1927 Picasso met the then underage (17) Marie Thérèse Walter, and began a secret affair with her. Picasso's marriage to Olga soon ended in separation, as French law required an even division of property in the case of divorce, and Picasso did not want Olga to have half his wealth. The two remained legally married until Olga's death in 1955. Picasso carried on a long standing affair with Marie Thérèse, and fathered a daughter, Maya, with her. Marie Thérèse lived in the vain hope that Picasso would one day marry her, and eventually hanged herself after Picasso's death.

The photographer and painter Dora Maar was also a constant companion and lover of Picasso. The two were closest in the late 30s and early 40s, and it was Dora who documented the painting of Guernica. Like all the women in his life, Dora was cruelly abused emotionally by the narcissistic Picasso.

After the liberation of Paris in 1944, Picasso began to keep company with a young art student, Françoise Gilot. The two eventually became lovers, and had two children together, Claude, and Paloma. Uniquely among Picasso's women, Françoise eventually left Picasso in 1953 because of his abusive treatment, and infidelities. This came as a severe blow to Picasso, who was used to submissive women who lived for whatever scraps of affection or attention he deigned to give them.

He went through a difficult period after Françoise's departure, coming to terms with his advancing age, and his perception that he was an old man, now in his seventies, who was no longer attractive, but rather grotesque to young women. A number of ink drawings from this period explore this theme of the hideous old dwarf as buffoonish counterpoint to the beautiful young girl.

Picasso was not long in finding another lover, Jacqueline Roque. Jacqueline worked at the Madoura Pottery, where Picasso made and painted ceramics. The two remained together for the rest of Picasso's life, marrying in 1961. Their marriage was also the means of one last act of revenge against Françoise. Françoise had been seeking a legal means to legitimize her children with Picasso, Claude and Paloma. With Picasso's encouragement, she had arranged to divorce her then husband, Luc Simon, and marry Picasso to secure her children's rights. Picasso then secretly married Jacqueline after Françoise had filed for divorce in order to exact his revenge for her leaving him.

Later works

In his 80s and 90s, Picasso, no longer quite the energetic dynamo he had been in his youth, became more and more reclusive. His second wife, Jacqueline Roque, screened all but the most important visitors, and closest friends, even excluding Picasso's two children, Claude and Paloma, both by his former partner, the painter Françoise Gilot.

This reclusive existence intensified after Picasso underwent surgery for a prostate condition in 1965. This surgery is rumoured to have left Picasso largely impotent. To a man for whom sexual adventure was such an important part of life, this was a serious life change, and Picasso seems to have dealt with it by redoubling his already prolific artistic output.

Devoting his full energies to his work, Picasso became more daring, his works more colourful and expressive, and from 1968 through 1971 he produced a torrent of paintings and hundreds of copperplate engravings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man, or the slapdash works of an artist who was past his prime. One long time admirer, Douglas Cooper called them "the incoherent scribblings of a frenetic old man in the antechamber of death". Only a decade later, after Picasso's death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see that Picasso had already discovered neo-expressionism, and was, as usual, ahead of his time.

Pablo Picasso died on April 8, 1973 at Mougins, France, and was interred at Castle Vauvenargues' park, in Vauvenargues, Bouches-du-Rhône. Jacqueline prevented his children Claude and Paloma from attending the funeral.

At the time of his death, Picasso, by now a multi-millionaire, owned a vast quantity of his own work, consisting of personal favorites which he had kept off the art market, or which he had not needed to sell. In addition, Picasso had a considerable collection of the work of other famous artists, some his contemporaries, like Henri Matisse, with whom he had exchanged works. Since Picasso left no will, his death duties, or estate tax to the French state were paid in the form of his works, and others from his collection. These works form the core of the immense, and representative collection of the Musée Picasso in Paris. And recently in 2003, relatives of Picasso inaugurated a museum dedicated to him, in his hometown of Malaga, Spain, called the Museo Picasso Málaga.

In 1999, Picasso's Les Noces de Pierrette (The Marriage of Pierrette) sold for more than USD $51 million.